Archive for the ‘art’ Category

2017 Calligraphy Workshops

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I’m still working on fleshing out the rest of the year, but I’m excited to announce upcoming teaching gigs!! I’m so excited for this year, it’s going to be great. More workshops to come, be sure to come back and check out the updates. 

Brush Letter Crash Course

Friday, March 3 | 6-8 pm | SLC, Utah

I’ll be teaching a quick, yet thorough, brush lettering workshop opening night of the Vintage Whites Market at the Fairgrounds. No frills, breaks or treats; just getting intimate with A-Z. CLICK HERE TO REGISTER

 

Watercolor + Calligraphy Retreat

Saturday, March 4 | 10am-4pm | Draper, Utah

Natalie Malan and I are teaming up to bring the two hottest hobbies together! In this double-header retreat, learn watercolor florals and modern calligraphy in a 6 hour workshop. $155 ($145 for early birds!) class fee. All materials, snacks and lunch included. Beginner/Intermediate class. CLICK HERE TO REGISTER.

Photo by Stephanie Lorraine Photography

Sew Simply Stitched Retreat

Thursday, March 16 | 2-5pm | Roosevelt, Utah

I’m teaching a brush lettering workshop as applied to quilting and textiles. I’ll be demonstrating how to use brush markers, readability, and ligatures for textile work. Register for the retreat: $25 early bird retreat entrance + $65 class fee. Materials included. Beginner/Intermediate class. CLICK HERE TO REGISTER.

Flourishing Workshop

Thursday, April 20 | 6-9pm | Salt Lake City, Utah

Visit me at The Write Image on April 20th from  6-9 for an intermediate workshop on flourishing. We’ll spend the night working on oval drills, flourish essentials and how to apply that to your own individual style. Limited to 10 spots. CLICK HERE TO REGISTER

Digitizing Calligraphy at LetterWorks

June 24-July 1 | 2.5 day workshop | Ogden, Utah

I’m pleased as punch to be presenting at the 36th International Lettering Arts Conference, LetterWorks. I’m teaching alongside my calligraphy IDOLS! The conference is geared towards all skill levels. I’m teaching a 2.5 day workshop on digitizing calligraphy. We will be using both Photoshop and Illustrator. Geared towards beginning/intermediate computer users. CLICK HERE TO REGISTER.

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And hey, if you can’t make any of my in-person classes, there’s always online at calligraphy.org

Review: Sakura Koi Water Color Set

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I’ve spent about 3 weeks with Sakura’s newest product, the 48 pan watercolor set (it’s currently sold out on Amazon). It’s fabulous. I’m loving the color and texture quality. LOVING. 

See my review below and enter to win a 36 pan set on Instagram RIGHT HERE.

If you want to learn more about how to watercolor, check out the work of Natalie Malan

DIY Gilding Calligraphy with Deco Foil

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This post is in partnership with Therm O Web’s Deco Foil™ line. I’ve been using this stuff for a couple of months now and I figured it was high time I shared with you how I use it! It’s incredibly easy and adds SO MUCH SPARKLE to your work (calligraphy or otherwise).

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In the above image I’ve applied the metallic foil (I don’t dare say gold, because it’s not real gold) in 3 different ways; (from top) laminator, bone folder and die cut machine. My favorite is probably the die cut machine, second is the bone folder because of the application. But I’ll talk about that a little later.

The foils come in a zillion different colors. I’m excited to try the watercolor foils soon because of the subtle color variation from one spot to another. Here I’ve used Pink Melon (top), Rose Gold (middle) and Copper (bottom). I use the copper one the most, it photographs better than the lighter golds do, so I prefer that. Let’s go through the materials needed for this technique and just get going, shall we?

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SUPPLIES:

The supplies list feels kind of long to me; but I bet if you’re anything like me, you’ll have most of these things. For the instructions, click the read more button below!

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My Favorite Waterproof Calligraphy Inks

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Let’s talk ink for a bit. It’s been a while since I’ve done a watercolor or a calligraphy post, or any post for that matter. I’ve recently adopted the “slow blogging” method. I spend most of my time teaching these days. You know I teach calligraphy right? If you’re new, it’s a stellar class that includes personal coaching so you know you’re getting the right instruction for your specific needs (and yes, I totally teach lefties).

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Sometimes I find I want to do some kind of watercolor wash after doing an illustration or a name. But I can’t, because the ink inevitably smears everywhere. I thought I’d test out to see how many of my inks are waterproof. Now, I didn’t test all of my inks, I just tested the ones I have that are easily available and most common. I have some small-batch inks that are a little harder to source. I’ve also only tested black (or black-ish) inks. Pigmented inks are a whole different can of worms because of the unique properties from pigment to pigment. If you’re hoping to use a pigmented ink with watercolor, I would recommend trial and error before working on a finished piece. Well, and really trial and error no matter what you’re using before working on a finished piece.

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Among my inks, I tested:

 

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So what inks do you think performed the best? I personally thought that the Pebeo Encre De Chine and the Ziller Glossy Black would do the only waterproof ink. I was mostly wrong. Continue below to find out which ones did the best!

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Sign Painting Inspired Photo Backdrop

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Sometimes I enthusiastically say, “Yes!” to a project before understanding the scale. It’s a problem I get myself into constantly. As much as these decisions cost me in time, I benefit in learning new things: new methods, techniques and at the very least when I should say, “no.”

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AlixMegan and I were asked to head up a photo booth for Alt Summit this year. After mulling through several ideas, our theme was b&w pre-internet, we settled on some typographic backdrop for the photo booth for Alt Summit (summer 2015). It took until the 11th hour to think of what words to use.

I’m no copy editor. Coming up with copy is difficult for me. I can make it beautiful, but figuring out what to write can be like pulling teeth for me. It took several conversations as a team and an hour long phone call with my mom. I figured it would make the most sense to do onomatopoeias. Since it’s B&W pre-internet (which I thought was kind of vague) I started with the sounds you would hear from pre-internet technology like the “click and clack” from a typewriter. Then it grew from there to include any onomatopoeia that I could think of. I didn’t want to repeat the words too many times.

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Initially I had thought about inspirational words or phrases, but we didn’t want readability to be an issue. The short words turned out to be great.

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This sign ended up being roughly 9′ wide and 4′ tall. Doing something this large isn’t typical of my day-to-day work. Also, sign painting and lettering isn’t something that I do often. I was more than a bit out of my comfort zone here. Between that and the fact that the only space I could complete the sign was the kitchen area, stress levels were at an all-time high. My stress always sky-rockets around Alt Summit. So Chris knew he needed to steer clear. The kids quickly learned that lesson after an embarrassing amount of yelling, “GET OUT!! I can’t have you touching the paper!!”

I don’t want my kids to grow up thinking they live in a mausoleum, but I also can’t have their sticky otter pop hands anywhere close to the paper. My paranoia mounted the further along I got. Stakes were escalating, I couldn’t start over!

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In my efforts to keep Pen and Felix out of trouble and my precious paper out of harm’s way, I barricaded the kitchen off with various chairs and a car seat. Chris got a kick out of it. That buffer saved my bacon a couple of times by keeping Felix from barreling through the room on his way outside.

At one point Alix came over to help fill in words with her two littles in tow. 5 kids under the age of 7 made for some interesting work time. Her kids were so good at staying clear of the paper and paint. Mine, not so much.

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The event went well, but as we were setting up for the backdrop I noticed that we had an awkward blank space on the top left corner of the backdrop. I made it a point to have my art supplies with me so that I could letter names for people (that was so fun!). So it was no big deal to whip out the white paint and brush and get to work on a couple extra pieces to fill out the negative space.

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If you look carefully, you’ll see that the “alt.” logo, arrow and “BAM” are a slightly different white. I had a different white, a teeny brush and I had to do it while the backdrop was hanging so I didn’t have a hard surface to work on. It certainly wasn’t my best work, but I was able to fill in the blank and make it look like it was supposed to be there.

I may be biased, but we rocked the photobooth. I’m glad I said yes to this project and got out of my comfort zone.

Project materials:

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